An exhibition of paintings by Geetha Ramasesh at Open Palm Court Gallery, IHC - 1st to 7th January 2010

Time : 

1st January : 5:00 pm - Opening

1st to 7th January : 11:00 am - 8:00 pm - Exhibition on View

Entry : Free

Place : Open Palm Court Gallery, India Habitat Centre ( IHC ), Lodhi Road, New Delhi-110003
Parking : Gate No. 1 to 3 ( Cars ), Gate No. 2 ( Bikes & Bicycles )

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Event Details : An exhibition of paintings by Geetha Ramasesh.

Geetha Ramasesh : She Born and brought up in the city of BangaloreJ She was surrounded by beautiful sights and ambience. She  had visions and in art  She found the channel.  She is Under guidance of Sri Rameswar Broota at Triveni  Kala Sangam, New Delhi, . Art has its own language and vocabulary of visual impact in forms, colour, space and emotions which she can develop.

She has the experience of being a national level Table Tennis player and also teaching but nothing is as satisfying as painting.

Her approach to painting is extremely intensive and during the process many changes take place between conception and completion.

She think labels about style are superficial because the artist grows and changes over the time and it may be unfair to label the art. She find great beauty in the most ordinary things around us in everyday life and try to project it colour. She try to make the colours more vibrant and intense into the visual element. She work and lives in Delhi

Geetha's brush work is her true speech even as she notices her human surroundings with an exceptional acuteness. As her works show that she notices people as well as objects with equal perception and also that what is noticed with the eye of the imagination is disciplined by the laws of the dynamic form. Invariably her work achieves a harmonious balance between naturalistic description and the abstractions of subjects worked by a creative mind. She is not limited to either of the obligations but judiciously combines them in such a manner that even though distorting appearances she is faithful to the being of actuality. Any extreme contentless abstraction is not for her. Rather it is used to serve as a function, that of making the observed truth fuller and more memorable. Her simple planes and long lines work out vistas, as of receding mirrors. The loss of decorative ornamentation is counterbalanced by the promise of a fresh artistic world. What thus emerges from that confluence of training of influences and personal inspiration is that the artist's experiments are not without anchor unlike much contemporary art that has tended to become irrationally sensational.

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